Sunday, September 20, 2015

Some advice for TV exec types - Criminal Minds

As I said in the last post, there are at least two things that make Criminal Minds (a show we like in this household) ridiculous.

1. (and this is true of many similar shows) Every time there is a job opening, it just happens that the replacement is good-looking enough to be a model. Hmm, is there some sort of a perv conspiracy at the top of the FBI and every crime lab in every major US city? I realize that attractive people make us common folk more likely to watch a show, but are we so shallow that we can't have one normal looking person out in the field finding perps?

2. The delivery of the profile. This is ridiculous in the extreme. When the team has assembled the basic details they believe to be true of the "unsub" they will call all the local law enforcement folk together to share the profile. But here's the thing--they do it as a team; each member follows the sentence of the previous one with their next like some sort of well-rehearsed chorus. Even the new girl who's only been on the team for a couple of episodes pipes in.

I direct shows--if this were a scene in a play, it would need some rehearsal time to make sure everyone knew when to come in and who had each 'line'. But there they are, nobody talking over anyone else, each taking their turn, and nobody apparently reading from a script.

Are we to believe that just happens? Or as the clock ticks and the poor victim's chances are becoming slimmer and slimmer, does the team sneak off for an hour to run practices of this performance--each profiler's lines marked with different colored highlighter pens? This is the single most annoying feature of this show, and makes any pretense of realism a joke.

Well, that and the fact that Greg left Dharma and has become a super-serious never-smile FBI guy.

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